RX1202FX
The rack-mountable, 12-Input RX1202FX mixer enables you to effortlessly achieve premium-quality sound, thanks to 8 onboard studio-grade XENYX Mic Preamps, 2 stereo Line Inputs and ultra-musical “British” channel EQs. Add to this our 24-Bit Multi-FX processor with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects – and the RX1202FX becomes an incredibly-versatile mixer for your live performances. Ideally suited for musicians, houses of worship and a wide variety of business applications, the incredible RX1202FX is also perfect for sub-mixing keyboards, drums or multiple vocal mics – and is an absolute “must-have” for monitoring your multitrack recording projects!
Sonically Superior Mic Preamps
Our legendary, high headroom XENYX mic preamps have been praised by audio engineers all over the world. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the RX1202FX provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
Sublimely Musical British EQ
The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our RX1202FX mixer is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Specification
Inputs
| Mic inputs | |
| Type |
XLR, electronically balanced |
| Impedance |
2.6 kΩ balanced |
| Max. input level |
+12 dBu @ +10 dB gain |
| Gain range |
+10 to +60 dB |
| Signal-to-noise ratio |
-110 dB / -112 dB A-weighted |
| Distortion (THD + N) |
0.003%, A-weighted |
| Line inputs | |
| Type |
1/4" TRS connector, electronically balanced |
| Impedance |
20 kΩ balanced, 10 kΩ unbalanced |
| Gain range |
-10 to +40 dB |
| Max. input level |
+22 dBu @ 0 dB gain |
| Auxiliary inputs | |
| Type |
RCA connectors, unbalanced |
| Impedance |
20 kΩ |
| Max. input level |
+22 dBu |
| Insert | |
| Type |
1/4" TRS connector (tip = send, ring = return) |
| Aux return | |
| Type |
1/4" TRS connector, balanced |
| Impedance |
20 kΩ balanced, 10 kΩ unbalanced |
| Max. input level |
+22 dBu |
Outputs
| Main out | |
| Type |
XLR connectors, balanced |
| Impedance |
240 Ω balanced, 120 Ω unbalanced |
| Max. output level |
+28 dBu balanced, +22 dBu unbalanced |
| Ctrl out | |
| Type |
1/4" TRS connector, impedance balanced |
| Impedance |
240 Ω balanced, 120 Ω unbalanced |
| Max. output level |
+22 dBu |
| CD/tape out | |
| Type |
RCA connectors, unbalanced |
| Impedance |
1 kΩ |
| Max. output level |
+22 dBu |
| Phones out | |
| Type |
1/4" TRS connector, stereo |
| Max. output level |
+19 dBu / 150 Ω (316 mW) |
| Aux send | |
| Type |
1/4" TRS connector, impedance balanced |
| Impedance |
240 Ω balanced, 120 Ω unbalanced |
| Max. output level |
+22 dBu |
EQ
| Low |
±15 dB @ 100 Hz |
| High |
±15 dB @ 12 kHz |
System Specifications
| Noise | |
| Main mix @ -∞, channel fader @ -∞ |
-98 dB / -101 dB A-weighted |
| Main mix @ 0 dB, channel fader @ -∞ |
-85 dB / -88 dB A-weighted |
| Main mix @ 0 dB, channel fader @ 0 dB |
-77 dB / -80 dB A-weighted |
| Frequency response |
20 Hz to 105 kHz, ±1 dB |
| Crosstalk |
90 dB |
Effects Section
| Converter |
24-bit Sigma-Delta |
| Frequency rate |
40 kHz |
| Presets |
100 |
Power Supply
| Switch-mode autorange power supply |
100-240 V ~50/60 Hz |
| Power consumption |
18 W |
| Mains connection |
Standard IEC connector |
Physical
| Dimensions(H x W x D) |
133 x 482 x150 mm (5.2 x19.0 x 5.9") |
| Weight |
3.1 kg (6.8 lbs) |